By Douglas Kellner, Stephen Prince
Throughout the Nineteen Eighties, American cinema underwent huge, immense variations. Blockbusters like Raiders of the misplaced Ark, E.T., and The Empire moves again grabbed large sales for the studios. even as, the expansion of domestic video ended in new and inventive possibilities for self sufficient movie creation, leading to a few of the decade's most sensible motion pictures. either huge- and small-scale filmmakers replied to the social, political, and cultural stipulations of the time. The two-term presidency of Ronald Reagan spawned a brand new chilly warfare with the Soviet Union, which Hollywood movie either embraced and critiqued. additionally in this time, Hollywood introduced a long-awaited cycle of flicks in regards to the Vietnam warfare, exploring its impression either at domestic and in another country. yet technology fiction remained the era's most well-liked style, starting from upbeat fantasies to darkish, dystopic visions. Bringing jointly unique essays via ten revered students within the box, American Cinema of the Eighties examines the movies that marked the last decade, together with usual humans, physique warmth, Blade Runner, Zelig, Platoon, best Gun, extraterrestrial beings, Blue Velvet, Robocop, deadly appeal, Die demanding, Batman, and intercourse, lies & videotape .
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Additional resources for American Cinema of the 1980s: Themes and Variations (Screen Decades: American Culture/American Cinema)
Foreign policy. Under Fire (1983) offered a sympathetic account of the Nicaraguan revolution that the United States was trying to destroy (and would succeed in destroying). El Norte (1984) showed the poverty and political repression in Guatemala that drove refugees northward to the United States. Latino portrayed the United States training the contra army in order to sow sabotage and destruction in Nicaragua. Salvador (1986) connected the election of Reagan in 1980 and his well-known anti-communism with the rise of the death squads in El Salvador.
Backed overthrow of the democratically elected government of Chile in 1973 by a military regime that proceeded to torture and execute its political opponents. S. complicity. Another cycle of ﬁlms offered a sustained critique of Reagan’s economic policies, which rewarded the wealthy and the corporate sector while cutting the social safety net from the poor and the inner cities. In this case, the critique was not as overt as in the Central America ﬁlms because it was typically projected through the guise of futuristic fantasy.
Ronald Reagan’s famous rhetorical ﬂourish in his 28 October debate with incumbent president Jimmy Carter summed up why the country would soon turn to him: Are you better off than you were four years ago? Is it easier for you to do and buy things in the stores than it was four years ago? Is there more or less unemployment in the country than there was four years ago? Is America as respected throughout the world as it was? . If you answer all of those questions “yes,” why, then I think your choice is very obvious as to who you’ll vote for.
American Cinema of the 1980s: Themes and Variations (Screen Decades: American Culture/American Cinema) by Douglas Kellner, Stephen Prince